Xande's Side Control and Mount Transitional Movements 9 - Dealing with a Frame on Your Hip

Xande's Side Control and Mount Transitional Movements 9 - Dealing with a Frame on Your Hip

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Xande goes over a common situation where his opponent has his forearm framing against Xande's hip. He shows a couple simple ways to deal with this by switching back and forth between his landmark positions.


Xande's Side Control and Mount Transitional Movements 8 - How to Avoid Getting Caught in Half Guard while Mounting

Xande's Side Control and Mount Transitional Movements 8 - How to Avoid Getting Caught in Half Guard while Mounting

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Xande goes over some details on how to mount from side control and not get your leg stuck in the half guard. He uses his elbow in the super hold to open his opponent's arm up high, and his knee slides across the body in a downward direction. When he brings his foot over, he smacks it on the ground hard and fast and he settles into his mount position.

Xande's Side Control and Mount Transitional Movements 7 - Mounting from Side Control with Superhold

Xande's Side Control and Mount Transitional Movements 7 - Mounting from Side Control with Superhold

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Xande has side control and uses his hips to work his way to a high neutral side control, trapping his opponent's arm up near his head. He gets a superhold for more control, and then he can begin to slide his knee across the belly and slam his leg down to take the mount.

Xande's Side Control and Mount Transitional Movements 6 - Controlling the Head While Transitioning to Neutral Side Control

Xande's Side Control and Mount Transitional Movements 6 - Controlling the Head While Transitioning to Neutral Side Control

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Now covering another specific detail to be aware of while transitioning from landmark two to neutral side control, Xande shows how he controls his opponent's head. With his hand in the collar, once his opponent starts to turn into him, Xande uses his forearm across the face and drives him back as he pushes back with his hip. Now when he goes neutral, this grip allows him to set up several attacks.

Xande's Side Control and Mount Transitional Movements 5 - Keeping Hip Connection when Transitioning to Neutral Side Control

Xande's Side Control and Mount Transitional Movements 5 - Keeping Hip Connection when Transitioning to Neutral Side Control

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Xande breaks down his movement from his landmark position two to neutral side control, and shows how he always keeps his hip connected to his opponent's hip through the whole motion. This is much different than the sitting up into base movement, where he creates space between the hip for him to come up.

Xande's Side Control and Mount Transitional Movements 4 - When to Abandon the Kesa Gatame

Xande's Side Control and Mount Transitional Movements 4 - When to Abandon the Kesa Gatame

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Xande goes into depth on how and when he abandons the kesa gatame side control hold, which is position one in this movement pattern. If he stays here too long, his opponent can easily replace guard or even roll him, so as soon as he feels his opponent go to his side, Xande switches to position two and uses his hip to neutralize.

Xande's Side Control and Mount Transitional Movements 3 - Preventing Your Opponent from Bringing in His Knee in Side Control

Xande's Side Control and Mount Transitional Movements 3 - Preventing Your Opponent from Bringing in His Knee in Side Control

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From side control, Xande wants to mount, but first he must make sure he prevents his opponent from recovering guard. He looks to control the upper body, but when his opponent turns on his side and tries to bring his knee in, Xande must use his hips to clear the knee as he transitions to a neutral side control.

Xande's Side Control Movement Patterns 15 - Proper Footwork for Technical Standup

Xande's Side Control Movement Patterns 15 - Proper Footwork for Technical Standup

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Xande goes over in detail the proper way to move your feet and legs when doing a technical standup, which is the movement he shows to take the mount on your opponent. His toes are pointed like a ballerina foot, and he slides his leg across the mat, as opposed to lifting it, which would create too much space.

Xande's Side Control Movement Patterns 14 - Basing on Your Knee when Opponent Bumps You

Xande's Side Control Movement Patterns 14 - Basing on Your Knee when Opponent Bumps You

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Going into greater detail on taking the mount, Xande breaks down the motion of basing on his knee when his opponent bumps him, after Xande steps his leg over the body. His movement to mount is essentially the same as a technical standup.

Xande's Side Control Movement Patterns 13 - Keeping Connection with Your Hip While Mounting

Xande's Side Control Movement Patterns 13 - Keeping Connection with Your Hip While Mounting

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Covering a common mistake people make while stepping over to mount, Xande breaks down why you need to keep your hip connected to the mat while throwing your leg over. Many people tend to raise it off the ground, but this gives your opponent space to recover guard, and takes away from your base if your opponent tries to bump you off. After the foot lands, then you raise the hip as if you are standing up into base.

Xande's Side Control Movement Patterns Seminar 12 - Stepping Over to Mount

Xande's Side Control Movement Patterns Seminar 12 - Stepping Over to Mount

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Having secured his position up high on his opponent, Xande switches his hands so his top arm goes across the body and his bottom arm is at the him. Now using the same hip positioning principles, he switches so his hips are facing his opponent's hips instead of the head. He transitions from two to one, then steps over landing in two, and adjusts to neutral in his mount position.

Xande's Side Control Movement Patterns Seminar 11 - Avoiding Rib to Rib Contact While in Side Control

Xande's Side Control Movement Patterns Seminar 11 - Avoiding Rib to Rib Contact While in Side Control

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Xande goes over an important detail of maintaining side control, which is to avoid staying with your pressure in the middle of your opponent's body with rib to rib contact. There is too much space for your opponent to escape here. Always look to have your pressure either low by his hip or high by his armpit.