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Xande points out the importance of applying constant pressure while using the side smash pass. First of all, he doesn't let his arm get stuck between his body and his legs, because doing so would mean he has to release pressure to get his arm out. Also, he always makes sure his head is low, and in turn his chest will be heavy on his opponent.
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Xande has set up his base position on top, sitting on his opponent's hooks with his elbows inside the knees. This time his opponent tries to push him away with the hooks, so Xande straightens his legs and raises his hips to absorb the push. Now his elbow has come to the outside, so he can push the legs and get to the side smash. This time instead of mounting, he grips the bottom leg, shoves the top leg with his knee, then steps back and replaces his knee with his other knee, setting in a leg drag position.Add to Favorites 791 Remove From Favorites 2270 days ago
From a standing position, Xande steps in and pushes his opponent's hooks between his legs, and keeps his elbows on the outside, pinching the knees together. He pushes in to cause the reaction of his opponent pushing out, and then steps to one side, places his head on the chest and drops his weight on top of the legs. From here, his hand blocks the leg, he places his knee at the hip and his arm under the head, then he steps his other leg over to mount.Add to Favorites 899 Remove From Favorites 2272 days ago
Setting up his escrima pass, Xande engages his opponent's guard, closing the distance and stepping over his hooks. He places one hand on the mat and his head on the chest, facing the other side. With his elbow inside his opponent's knee, he walks a couple steps to the side on his toes, keeping his weight heavy. Now he cups the thigh and breaks his hip to the side he is passing. Now he walks on his toes til he clears his opponent's legs and can establish side control.Add to Favorites 147 Remove From Favorites 2274 days ago
In this scenario, Bernardo's opponent tries to defend the foot lock by grabbing his lapel and pulling to him. While keeping his hold on the foot, Bernardo escapes his hips just enough to bring his inside leg across his opponent's leg, placing his foot on the hip. Now he pinches his knees together and leans back to finish the foot lock.Add to Favorites 565 Remove From Favorites 2275 days ago
Refining a few details on the foot lock, Bernardo shows the importance of staying close and connected to your opponent when you sit down, so you don't let him come up. Also, he makes sure his forearm is under the Achilles tendon and squeezes his elbow in. Much of his power to finish comes from arching his back. Finally, he makes sure to keep the other leg away at a distance, either by pushing with his hand or foot.Add to Favorites 660 Remove From Favorites 2276 days ago
In this BJJ Library class, guest instructor from Ribeiro Jiu Jitsu Sydney Australia, Bernard "Trekko" Magalhaes, shows some variations of the foot lock. While passing the guard standing, from a headquarters position, he keeps one hand on the chest to keep his opponent down and his other arm hugs his opponent's foot to his hip. When ready to attack, he sits back wrapping his arm around the shin, places his outside foot on the hip and feeds the collar to his attacking hand. The common reaction from his opponent is to push the foot off the hip and scoot over his leg, so when that happens, Bernardo turns belly down to the outside, posts his free hand and sprawls his hips as he looks up to finish the foot lock.Add to Favorites 927 Remove From Favorites 2353 days ago
Covering several possibilities you could encounter while trying to pass the open guard, Saulo shows some different reactions you should train yourself for. If his opponent sits up with his feet on the ground, he doesn't worry about the legs, but just controls the shoulder. When he does engage the legs, Saulo will either knee slice to the inside, or sprawl and smash to the outside.Add to Favorites 724 Remove From Favorites 2354 days ago
Focusing on the beginning of the pass, Saulo breaks down establishing a solid base in headquarters. Once he slaps the legs and steps inside, he keeps his feet flat on the ground and squats low, sitting on the foot. Here he can sway side to side in a comfortable stance, and not telegraph to his opponent which side he wants to pass.Add to Favorites 871 Remove From Favorites 2356 days ago
Now from the top, Saulo slaps the shins to the side as he steps in to his headquarters position, squatting with one of his oppoent's legs between his. He keeps a low base and stays agile, ready to move to either side. Now if his opponent turns to the inside, he puts his hand on the shoulder to stop him and passes with the knee slice. If his opponent turns to the outside, he drops his weight to smash pass.Add to Favorites 861 Remove From Favorites 2357 days ago
Correcting some mistakes, Saulo points out not to step up on your opponent for this drill. By doing so, you give your legs for him to attack. Instead, he just stepping to the side, which gives him the space to drop down and smash if his opponent tries to sit up or come at him.Add to Favorites 847 Remove From Favorites 2358 days ago
Saulo's opponent is on his back with both feet up in the open guard, so Saulo steps in with his lead leg landing on his opponent's shin. He squats down and pushes forward a bit, causing his opponent to react by pushing back out. Saulo uses his opponent's momentum to throw the legs aside as he steps to the other side, ready to pass. Then he repeats the drill, changing sides.