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It's Yan Lucas' turn to ask Leonel a question, so he starts in the deep half where Leonel has the sleeve grip under the leg and is framing with his arm. To defend the first sweep, Yan gets the cross face, places his head in Leonel's chest and sprawls his free leg back to stay low. Now Leonel brings his arm up, reaches over the back of Yan's head and grabs the armpit. From here he crunches his body, forcing Yan's head and knee together, and pushes off the mat with his feet to turn his hips to the outside and roll Yan over the top.
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With the same grips and position set up as in the previous two techniques, now Xande has a question on what Leonel will do if he can break Leonel's sleeve grip. The first thing he does is feed the same side lapel to his hand and grips that instead of the sleeve. Then he swims his other arm under the leg and switches the grip to his other hand, and now uses his forearm as a frame to keep Xande from using his knee to pressure. By opening his elbow, Leonel creates space to bring his free arm between the legs and grabs the belt, pants or even other lapel if it's accessible. Now he can raise his hips and bridge to finish the hip bump sweep.Add to Favorites 779 Remove From Favorites 2429 days ago
Showing another variation from the previous technique, Leonel begins with the sleeve grip under the leg and Xande's knee in the middle on his belly. This time however, Xande steps his outside leg up to keep a base. As soon as he does, Leonel swings his leg forward and sits up to an S position, keeping his knees pinched tight. With his free hand posted on the mat, he pulls himself up to his knees, pulling Xande's leg away and sweeping him in the process.Add to Favorites 815 Remove From Favorites 2430 days ago
In this technique, Xande is inside Leonel's half guard and using his knee to put pressure on Leonel's belly. With his knees pinching Xande's leg, Leonel uses his knee to bump Xande forward, and he brings his arm under the leg and grips the sleeve. Xande's reaction is to get a cross face and try to smash Leonel, so Leonel reaches over the back and grabs the belt. Now he pushes off the mat with his feet to lift his hips, and turns the opposite direction his hips are facing, rolling Xande over him and finishing on top. To pass, he can easily kick his leg back and get to side control.Add to Favorites 764 Remove From Favorites 2431 days ago
Answering Saulo's question about what to do if he can't get the sleeve grip, Leonel pulls the same side lapel and feeds it to his hand that is under the leg. Then he swims his far hand under the leg, and switches the lapel to that hand. From here it is common for his opponent to underhook his arm, but he can simply close his elbow and trap it. Now he grabs the pants with his inside hand, and bumps his hips as before to finish the sweep.Add to Favorites 856 Remove From Favorites 2432 days ago
Leonel begins in half guard and Saulo is on top with a cross face grip and his hips turned toward Leonel. By framing his arm against Saulo's stomach, Leonel creates space and kicks his legs down so he can trap the lower leg between his knees. Now he has space to swim his arm under the leg and make a sleeve grip on Saulo's arm, and pulls it down so he can again frame his arm on the belly. Here he makes a grip on the knee, and bumps his hips up explosively as he punches the knee away, and bridges to come to the top.Add to Favorites 513 Remove From Favorites 2433 days ago
Gustavo points out a mistake he sees where people are staying flat on their feet, which is throwing their balance off and not allowing them to react in time. Instead you should stay on your toes and be more agile and responsive. Also, when grabbing the shins, he keeps his hands moving fast so he doesn't allow his opponent to get any grips on him.Add to Favorites 606 Remove From Favorites 2434 days ago
Explaining some details in the previous technique, after Gustavo throws the legs to the side, he drops his inside knee to the floor right behind the his opponent's thighs, and reaches over the body to grab the lapel. Here traps the legs with his elbow and knee, and can move to side control or even take the back. In the next passing drill, he grabs the inside of the knee with a cross grip, pins it to the mat as he passes to the side, and makes a lapel grip or just pushes the chest down as he establishes side control.Add to Favorites 497 Remove From Favorites 2436 days ago
Gustavo begins standing in front of his opponent who is laying on his back in an open guard position. As Gustavo steps in, he grabs both shins with his C-grips and pushes the legs in, causing his opponent to react by pushing them back out. Gustavo can do this a motion a few times, and as the legs come back out, he steps back and pushes them to the side, opening the space he needs to pass to side control.Add to Favorites 626 Remove From Favorites 2437 days ago
Continuing from his side position after passing with the knee spin, now Rene's opponent turns to face him, so he immediately grabs his legs and pulls his knees down to the mat. He places his knee on top of his opponent's knees, moves his head inside on his opponent's chest, and back steps to the other side. For the drill, his opponent turns to face him again, and Rene repeats the movement. It's important to note that he is staying low and controlling the hips, rather than staying high in a typical cross body position.Add to Favorites 748 Remove From Favorites 2438 days ago
Rene begins on his knees in his opponent's butterfly guard. He makes a high collar grip and steps his knee up on the same side, keeping it connected to his opponent's leg. Now he does his knee spin, pulling the collar grip down and stepping his other leg back as he goes. This forces his opponent down to the mat and Rene finishes in a side control position.Add to Favorites 663 Remove From Favorites 2439 days ago
Now Rene shows a couple leg trip takedown drills, similar to the kouchi gari and ouchi gari. First is when he and his partner are both standing with the right leg forward. Rene lowers his level and steps in with his right leg hooking behind his opponent's right leg, similar to the kouchi gari, and drives him to the mat. On the second drill, he is standing with left leg forward, so he steps in with his left and hooks his opponent's right leg, similar to the ouchi gari, and drives him to the mat.