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Fine tuning some details, Xande explains how he places his top hand at his opponent's clavicle, with the edge of the pinky finger side making the initial contact. His other hand can stay down at the hip to keep a block and feel his opponent's movement. After Xande makes his first hip bump, now he can extend his upper body to straighten his arm, rather than just trying to push the shoulder away. This gives him the space he needs to bring his leg back in and recover his guard.
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With his opponent on his side control, Xande places both hands on his opponent's shoulder, his outside foot flat on the mat and his inside foot on its side with his knee attached to the body. He steps his flat foot out a bit and makes his first small hip escape. Now he has a little space to take another step and push off the shoulder for a big hip escape, and he can bring his leg in to begin replacing guard.Add to Favorites 776 Remove From Favorites 2458 days ago
Starting in side control, Eduardo post one hand at his opponent's far hip and the other under the head, and hops up to a knee on belly position. He brings his hand from the hip to sink a deep cross collar grip with his fingers inside and his other hand grabs the cloth on the cross shoulder. Now he squeezes the choke as he lowers his head to the mat to get the finish.Add to Favorites 662 Remove From Favorites 2459 days ago
From side control, Eduardo's opponent pushes his head to try to escape, so Eduardo brings his arm across the body and hugs the arm at the triceps. Next he walks to north-south position and grabs the wrist with his other hand to make a Kimura grip. Using the arm, he turns his opponent onto his side, but his opponent is still defending by holding on to his own pants or belt. Eduardo breaks the grip by pulling the arm away from the body, and now to finish he can bring the arm up and over toward the back til his opponent submits.Add to Favorites 816 Remove From Favorites 2470 days ago
Using the idea of pushing himself up out of a hole, Xande explains the importance of pushing at the correct angle when escaping side control or recovering guard. When he pushes off his opponent, his arms directed down from his body, not away in front. This gives him the leverage and space he needs to escape and recover.Add to Favorites 925 Remove From Favorites 2471 days ago
Xande emphasizes a very important point that he is not so much playing guard at this point as he is anticipating and defending side control. With that in mind, his continuous focus is on keeping his foot out wide to keep stepping and escaping his hips so he has the space to bring his elbow frame inside. It's also very important that he does not get stuck flat on his back, and he is always working from his side.Add to Favorites 947 Remove From Favorites 2472 days ago
Xande's opponent does the old school pass, and this time he gets to the side and puts his arm across Xande's body to trap him with his forearm. Xande's reaction is to flare his outside leg out as wide as he can, and do an explosive bridge and hip escape to create as much space as possible. Now he can bring his forearm in to block his opponent's hips and recover his guard. Ideally Xande will react immediately and not give his opponent time to settle in.Add to Favorites 779 Remove From Favorites 2513 days ago
Correcting the most common mistake of his students, Saulo shows how he extends his body away from his opponent after he has connected his elbow and knee. Once his body is straight, then he can escape the hips and bring his inside leg back in to recover his guard. As always, he emphasize the need to drill over and over, repetition is the only way to learn.Add to Favorites 810 Remove From Favorites 2514 days ago
Answering some questions, Saulo stresses the importance of staying on your side after you bridge, and not letting your opponent flatten you out. Also, once your elbow and knee are connected, you must push off to extend your body, and then you will have the space to recover your guard.Add to Favorites 759 Remove From Favorites 2515 days ago
Breaking down a common mistake, Saulo stresses the importance of pushing yourself away from your opponent after bridging. Many students will bridge and immediately try to replace the guard, but they do not have the space to succeed. So it is vital to escape your hips and create the space to bring your legs in and recover guard.Add to Favorites 778 Remove From Favorites 2517 days ago
When in bottom side control, Saulo advises against bringing your inside arm down to your opponent's hip, as this can expose your neck for attack. Second, his outside arm cups near the top of the head, where he has more control than if he cupped the neck. After he bridges, he uses his arms to push himself away from his opponent, giving him the space he needs to set up his block.Add to Favorites 927 Remove From Favorites 2518 days ago
After your guard has been passed and your opponent establishes side control, it's very important to stay calm and not give up the fight. Next, do not get your hands trapped against yourself or try to push his hips. Instead, Saulo traps his opponent's head by closing his biceps on it. He keeps his other arm attached to his body and his hand loose and free to move around. Now he bridges and while on his shoulder, he connects his inside elbow and knee together to protect his side. Now he is in a good position to keep blocking the side control, and has set himself up to escape when he is ready.